died young, stayed pretty

References to the abuse of pink and octopi, a nudie flip book sequence with an ode to spider webs voice over and a series of all-to-brief, intimate conversational excerpts found in the trailer for Eileen Yaghoobian’s doc about rock posters all leave me hoping it way to the states much sooner than later.

The film’s description and featured artist list from the site only serve to hammer the anticipation home. See for yourself:

Died Young, Stayed Pretty is a candid look at the underground poster culture in North America. This unique documentary examines the creative spirit that drives these indie graphic artists. They pick through the dregs of America’s schizophrenic culture and piece them back together…Yaghoobian shows these artists for what they are: the vivisectionists of America’s morbidly obese consumer culture.

Brian ChippendaleArt ChantryPrint MafiaAndrew BirdDMBQClyde JonesRon LibertiTom HazelmyerStephen McClellanBryce McCloudSeripopAmes BrosMethane StudiosEl Bado/William BallardTyler StoutRob JonesJay RyanMat DalyNick ButcherKeith HerzikSteve WaltersShawn WolfeNoel WaggenerJeff KleinsmithMig KokindaDale FlattumMike KingDan SchlisselStainboyUncle CharlieAmerican Poster Institute

via: Eileen Yaghoobian / diedyoungstayedpretty.com

dustin humphrey: file under water

Dustin Humphrey’s new work for the Insight DOPAMINE campaign and video does for surfing what Crazy Dan Sturt did for skateboarding with booms and other assorted means of breaking envelopes beyond the fisheye. Brilliant.

via: ffffound / designyoutrust

the draplin thing

My friend Jess Gibson has been busy in the NEMO basement making strides on his side film project with Portland designer Aaron Draplin appropriately titled, The Draplin Thing. From the sound of things at Jess’s site, editing is closing in on completion — just as soon as they get back from the World’s Largest Yard Sale.

Check out the new trailer (Draplin vs. USA) and join us in the ranks of those eagerly awaiting a deeper look into the mind of a true American original.

via: Jess Gibson / Draplin Design Co., North America

dark pHoaming beloved fly ashtray cloud (edison)

I stumbled on Dark Beloved Cloud sometime in 1999. Back when the label was still based in New York. I was digging for a copy of Fly Ashtray’s Clumps Takes A Ride, yet another cassette that suffered the same fate as the Mommyheads tape I’ve written about… curdled in the heat of early-90’s South Floridian sun. And just like Swiss Army Knife, Clumps became progressively harder to find as the years went on. The fact that even in their “heyday” both were relatively obscure, compounded their elusivity further.

After a few emails and a never-realized design trade, Dark Beloved Cloud’s owner, Douglas Wolk, confirmed that he did indeed have a copy, and kindly hooked me with Clumps in both plastic and vinyl. A couple more generously stuffed envelopes later, and many other DBC artists found their way into my collection and onto my plate of earfood — Azalia Snail, The Magick Heads, Spaceheads, some Uncle Wiggly that I never knew existed and Fly Ashtray guitarist James Kavoussi’s almighty alter-persona, pHoaming Edison.

Fly Ashtray deserves and likely will receive a post of their own here someday. They’re among the handful of bands whose music fundamentally altered the landscape of listening for me. In fact, they were a shoe-in before I ever even dropped the needle. Their name alone detonated an avalanche of pre-pubescent memories — Star Wars and Micronaut figures manning the cockpit of my parents ashy, functional version of their namesake.

Then as now, Fly Ashtray’s sound swings the ~25yr gamut from quirky pop, deeply explorative noise to neo-psychedelic heaviness. Even when coupled with a frequent helping of silly lyrics and song titles, the hallmark of their home/rec mastery is never lost. Kavoussi’s solo releases as pHoaming Edison bear the brilliant genetic signature of Fly Ashtray (and vice-versa) garbled in crap-sounding lo-tech splendor. Occasional cover tracks easily finding a place in the ranks of an unrealized list of tops (should I ever realize the need to write one).

When Douglas Wolk moved to Portland a few years ago, he made the coastal switch with a new addition to the family and a few book titles in tow. Namely, the much-heralded Reading Comics and his 117 page critical introspective James Brown: Live at the Apollo for Continuum’s 33⅓ book series.

It turns out Wolk is also one of the hardest working men in the music/comic critic business. Lucky for us, he brought Dark Beloved Cloud along with him and still finds time to bring the precipitating noise.

Noise that is made readily available via the DBC catalog and the ill-conceived (not ill meaning ill, but ill meaning ill) Singles Club. A collaborative means of sampling the label’s catalog in the form of 3-inch CD singles swapped in exchange for the investment of your own creative time and effort. Design a cover for the latest single, send it in and get the single adorned with someone else’s cover artwork. A simple, brilliant concept that Fly Ashtray is currently wielding for the release of their latest plate, Pantswind Folder. See? Totally silly album titles as well.

If you dig the links below, get in on both collabs and find yourself far from disappointed.

s|b Muxtape v.0002 → HYPOBLAST! Fly Ashtray + pHoaming Edison
The Dark Beloved Cloud Muxtape

Dark Beloved Cloud: Precipitated / Band Pages / Singles Club / covers
Douglas Wolk: Lacunae / Reading Comics / JB 33⅓ / 52 Pickup / Slate / Savage Critic / Kottke Interview
Fly Ashtray: off.site, blog + mspce / Discog / Videos / Song Titles / Thanks Mauvis
pHoaming Edison: mspce / Silly Bird

 

s|b muxtape v.0002

null

SB/MUXTAPE.0002 → HYPOBLAST! Fly Ashtray + pHoaming Edison

Fly Ashtray 2nd Song (1:58)
Fly Ashtray Harmony Grutz (2:54)
Fly Ashtray Moist Floor Ruined My Bad Idea (3:13)
Fly Ashtray Best Boy (2:43)
Fly Ashtray Hypoblast! (1:40)
Fly Ashtray Berries (3:01)
Fly Ashtray Flunch (3:31)
pHoaming Edison Laughing at Keys (2:43)
pHoaming Edison Owl Mound (1:30)
pHoaming Edison Street Fighting Man (1:59)
pHoaming Edison Crate (Let’s Have Some) (1:16)
Fly Ashtray My Flash On You (2:21)

sourced: Fly Ashtray / pHoaming Edison
also see: muxtape with coverflow using fluid

fucked up + photocopied

Continuing with the toner thread, I recently found the blatantly semi-local (mere excuse for a JFA ref) Jason Willis Flyer Collection (’81-’06) while searching out resources for giving visual direction to one of our designers on a Nemo project. I actually remember receiving multi-generational copies of these used as stationary for scrawled notes folded into zines during the early eighties. 

Bryan Ramond Turcotte has a wider sourced compilation in his book, Fucked Up and Photocopied: Instant Art of the Punk Rock Movement, the predecessor to Punk Is Dead Punk Is Everything and the source of this post’s title.

It seems obvious to mention Bryan Coley, Lydia Lunch and Thurston Moore’s No Wave — a chronicle of the collision of art and punk in the New York underground of 1976 to 1980. No Wave was recently released with an exhibition at KS Art and a Teenage Jesus and The Jerks show at Knitting Factory NYC. Thanks to Rich for the tip on this one.

more: TJ+tJ show (sb_t) / No Wave (prefix,vid)

david byrne: playing the building

I’ve been spending a lot of time gathering new findings of intentionally unintended, random beauty from the school of experimental field recording lately. As a result, Xeni Jardin’s interview with David Byrne regarding his project, “Playing the Building” for BBTV naturally caught my attention when it wound through some friend’s sites over the past week.

Watch: Playing the Building (stills via the header)

Alhough the audio acoustics of Byrne’s Building are intentionally engineered and by definition more installation-based than field recording, the resultant environmental susceptibility certainly blurs the line between the two. Beautifully.

Straight jacked from Roy Christopher’s site, June 10th, 2008:

My favorite Talking Head, David Byrne, turns an entire old building in New York City into a giant sound machine in an installation called “Playing the Building.” Xeni Jardin takes a tour.

Under David’s manipulation, New York’s hundred-year-old Battery Maritime Building becomes a giant sound sculpture. He explains:

“Devices [have been] attached to the building’s structure — to the metal beams and pillars, the heating pipes, the water pipes — and are used to make these things produce sound. The activations are of three types: wind, vibration, striking. The devices cause the building elements to vibrate, resonate, and oscillate so that the building itself becomes a very large musical instrument.”

Read the full post at Roy’s site, soon to include the 2008 edition of his reknown, Summer Reading List.

via: Dave Allen / Roy Christopher / Xeni Jardin / David Byrne / Boing Boing

xeroxeyelids.com

New, official site for all things related to the show, There is Xerox on the Insides of Your Eyelids. Updates, show calendar, galleries.. the works.

xeroxeyelids.com

xeroxed eyelids (reprise+consume)

Needles + Pens have updated their site with new images from opening night of There is Xerox on the Insides of Your Eyelids. They’ve also made the show Catalog/Zine by Rich Jacobs available for $5 along with #13 of his ongoing exploration in toner, MOVE.

Speaking of Rich, I just received word that he’s hanging the next installation of the show in London. More to follow…

Opening photos / Catalog / Move #13

rules

by Sister Corita Kent

via: hi+low / design observer / i love this world / weekend america

Continue Next page

INSP/SRC

Fuel for the fire

Close
E-mail It